EN045.01 Yule - Revision history

Jan at 08:38, 22 February 2026

2026-02-22T08:38:23Z

← Older revision		Revision as of 10:38, 22 February 2026
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	They also wanted their writing to be unreadable for other peoples, as they always have secrets. Thus, they went very much astray, so much so that children can scarcely read and understand the writings of their elders, whereas we can read our most ancient scriptures just as well as those that were written yesterday.		They also wanted their writing to be unreadable for other peoples, as they always have secrets. Thus, they went very much astray, so much so that children can scarcely read and understand the writings of their elders, whereas we can read our most ancient scriptures just as well as those that were written yesterday.

	Here is the Standscript and, under it, the Runscript. Further, the counting numbers, in both styles.<ref>Illustration based on pages '''[[046\|[046]]]''' and '''[[047\|[047]]]''' of the manuscript. The letters <span class="fryas">ÒWZ</span>, which are used in the manuscript but are not listed on page 46, have been added in the lower-right corner. The Runscript letters are a reconstruction based on the manuscript's letters, comparative study of descendants like Kurrentschrift and practical considerations. The letter <span class="fryas">TH</span> sometimes represented <span class="fryas">HT</span>, in which case it has been transliterated as such. Likewise, <span class="fryas">X</span> was also used for <span class="fryas">SK</span>. When <span class="fryas">N</span> and <span class="fryas">G</span> appear as individual letters in the text, they are separated by an apostrophe in the Latin transliteration – e.g., FIN'GRUM; fingers. The letter used for DS/DZ (a mirrored D with a half-spoke through the center: <span class="fryas">Z</span> — e.g., in the verb <span class="fryas">SEDSA</span>: ''to say'') was transliterated as Z.</ref>		Here is the Standscript and, under it, the Runscript. Further, the counting numbers, in both styles.<ref>Illustration based on pages '''[[046\|[046]]]''' and '''[[047\|[047]]]''' of the manuscript. The letters <span class="fryas">ÒWZ</span>, which are used in the manuscript but are not listed on page 46, have been added in the lower-right corner. The Runscript letters are a reconstruction based on the manuscript's letters, comparative study of descendants like Kurrentschrift and practical considerations. The letter <span class="fryas">TH</span> sometimes represented <span class="fryas">HT</span>, in which case it has been transliterated as such. Likewise, <span class="fryas">X</span> was also used for <span class="fryas">SK</span>. When <span class="fryas">N</span> and <span class="fryas">G</span> appear as individual letters in the text, they are separated by an apostrophe in the Latin transliteration – e.g., <small>FIN'GRUM</small>; fingers. The letter used for <small>DS/DZ</small> (a mirrored <small>D</small> with a half-spoke through the center: <span class="fryas">Z</span> — e.g., in the verb <span class="fryas">SEDSA</span>: ''to say'') was transliterated as Z.</ref>

	{{Standskrift drawings}}		{{Standskrift drawings}}

Jan at 10:23, 21 February 2026

2026-02-21T10:23:01Z

← Older revision		Revision as of 12:23, 21 February 2026
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	{{Wralda Tanfang Tbijin drawings}}		{{Wralda Tanfang Tbijin drawings}}

	<center>Wralda — ~~‘Tempo’~~ — The Beginning<ref>~~‘Tempo’~~ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': here defined as the celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>		<center>Wralda — The Inception — The Beginning<ref>‘The Inception’ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': here defined as the celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>

	Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of The Inception (of the celestial rhythms and cycles) or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.		Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of The Inception (of the celestial rhythms and cycles) or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.

Bruce at 09:36, 21 February 2026

2026-02-21T09:36:58Z

← Older revision		Revision as of 11:36, 21 February 2026
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	<center>Wralda — ‘Tempo’ — The Beginning<ref>‘Tempo’ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': here defined as the celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>		<center>Wralda — ‘Tempo’ — The Beginning<ref>‘Tempo’ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': here defined as the celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>

	Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of ~~‘Tempo’~~ (the celestial rhythms and cycles) or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.		Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of The Inception (of the celestial rhythms and cycles) or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.

	From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.		From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.

Jan: uitleg Tempo

2025-09-05T09:57:11Z

uitleg Tempo

← Older revision		Revision as of 11:57, 5 September 2025
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	{{Wralda Tanfang Tbijin drawings}}		{{Wralda Tanfang Tbijin drawings}}

	<center>Wralda — ~~Tempo~~ — The Beginning<ref>‘Tempo’ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': the ~~natural and~~ celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>		<center>Wralda — ‘Tempo’ — The Beginning<ref>‘Tempo’ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': here defined as the celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>

	Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of ~~Tempo~~ or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.		Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of ‘Tempo’ (the celestial rhythms and cycles) or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.

	From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.		From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.

Jan at 08:36, 4 September 2025

2025-09-04T08:36:42Z

← Older revision		Revision as of 10:36, 4 September 2025
Line 6:		Line 6:
	{{Wralda Tanfang Tbijin drawings}}		{{Wralda Tanfang Tbijin drawings}}

	<center>Wralda — ~~the Potential~~ — ~~the~~ Beginning<ref>~~The ‘Potential’~~ (''~~Anfang~~'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. ~~Likewise, the~~ ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon (the beginning of) time (''tempus'').</ref></center>		<center>Wralda — Tempo — The Beginning<ref>‘Tempo’ (''Tanfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. The ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon the beginning of time (''tempus'') and upon ''Tempo'': the natural and celestial rhythms and cycles. Compare beginning of [[EN006.12 Creation\|D2. Our Primal History]].</ref></center>

	Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of ~~the Potential~~ or ~~the~~ Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.		Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of Tempo or The Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.

	From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.		From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.

Jan: italic in note

2025-03-12T12:32:43Z

italic in note

← Older revision		Revision as of 14:32, 12 March 2025
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	'''H. Yule and Script'''		'''H. Yule and Script'''

	'''[[045\|45.01 [045]]]''' What is recorded hereunder is written upon the walls of the Waraburg:<ref>‘Waraburg’ <span class="fryas">WÁRABURCH</span> — or: Treasureburg.</ref>		'''[[045\|45.01 [045]]]''' What is recorded hereunder is written upon the walls of the Waraburg:<ref>‘Waraburg’ (<span class="fryas">WÁRABURCH</span>) — or: ''Treasureburg''.</ref>

	{{Wralda Tanfang Tbijin drawings}}		{{Wralda Tanfang Tbijin drawings}}

	<center>Wralda — the Potential — the Beginning<ref>The ‘Potential’ (~~‘Anfang’~~) is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. Likewise, the ‘Beginning’ ('Bijin') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ~~‘temple’~~, which also has an uncertain etymology, may thus denote a place of meditation upon (the beginning of) time (tempus).</ref></center>		<center>Wralda — the Potential — the Beginning<ref>The ‘Potential’ (''Anfang'') is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. Likewise, the ‘Beginning’ (''Bijin'') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ''temple'', which also has an uncertain etymology, may thus denote a place of meditation upon (the beginning of) time (''tempus'').</ref></center>

	Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of the Potential or the Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.		Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of the Potential or the Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.

	From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ~~‘running~~ or loping ~~script’~~; interpreted as Dutch: ~~‘doorlopend’~~ (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.		From it, Frya made the Standscript that she used for her Tex. And when she was honorary mother, Festa used it to make the cursive Runscript.<ref>‘cursive Runscript’ (<span class="fryas">RUN JEFTHA HLAPANDE SKRIFT</span>) — lit.: ''running or loping script''; interpreted as Dutch: ''doorlopend'' (cursive), as the pen does not have to be lifted from the paper between the letters.</ref> The ‘witkeaning’ — that is: sea king — Godfreyad the Old made thereof individual counting numbers, for both the Standscript and the Runscript. It is thus not unfitting that we should celebrate the Yule every year. Wralda deserves our eternal gratitude for imbuing our ancestors so deeply with his spirit.

	In her time, Finda also devised a script. But it was so pompous and full of flourishes and curls that her descendants soon lost its meaning. They later learned our script — specifically the Finns, the Tyrians and the Greeks — but they were not well aware that it was based on the Yule wheel and therefore must always '''[[046\|[046]]]''' be written sunwise.<ref>‘sunwise’ (<span class="fryas">MITH SON OM</span>) — clockwise; in the northern hemisphere, the sun appears to move ~~‘clockwise’~~.</ref>		In her time, Finda also devised a script. But it was so pompous and full of flourishes and curls that her descendants soon lost its meaning. They later learned our script — specifically the Finns, the Tyrians and the Greeks — but they were not well aware that it was based on the Yule wheel and therefore must always '''[[046\|[046]]]''' be written sunwise.<ref>‘sunwise’ (<span class="fryas">MITH SON OM</span>) — clockwise; in the northern hemisphere, the sun appears to move ''clockwise''.</ref>

	They also wanted their writing to be unreadable for other peoples, as they always have secrets. Thus, they went very much astray, so much so that children can scarcely read and understand the writings of their elders, whereas we can read our most ancient scriptures just as well as those that were written yesterday.		They also wanted their writing to be unreadable for other peoples, as they always have secrets. Thus, they went very much astray, so much so that children can scarcely read and understand the writings of their elders, whereas we can read our most ancient scriptures just as well as those that were written yesterday.

	Here is the Standscript and, under it, the Runscript. Further, the counting numbers, in both styles.<ref>Illustration based on pages '''[[046\|[046]]]''' and '''[[047\|[047]]]''' of the manuscript. The letters <span class=fryas>ÒWZ</span>, which are used in the manuscript but are not listed on page 46, have been added in the lower-right corner. The Runscript letters are a reconstruction based on the manuscript's letters, comparative study of descendants like Kurrentschrift and practical considerations. The letter <span class="fryas">TH</span> sometimes represented <span class="fryas">HT</span>, in which case it has been transliterated as such. Likewise, <span class="fryas">X</span> was also used for <span class="fryas">SK</span>. When <span class="fryas">N</span> and <span class="fryas">G</span> appear as individual letters in the text, they are separated by an apostrophe in the Latin transliteration – e.g., FIN'GRUM; fingers. The letter used for DS/DZ (a mirrored D with a half-spoke through the center: <span class="fryas">Z</span> — e.g., in the verb <span class="fryas">SEDSA</span>: ~~‘to say’~~) was transliterated as Z.</ref>		Here is the Standscript and, under it, the Runscript. Further, the counting numbers, in both styles.<ref>Illustration based on pages '''[[046\|[046]]]''' and '''[[047\|[047]]]''' of the manuscript. The letters <span class="fryas">ÒWZ</span>, which are used in the manuscript but are not listed on page 46, have been added in the lower-right corner. The Runscript letters are a reconstruction based on the manuscript's letters, comparative study of descendants like Kurrentschrift and practical considerations. The letter <span class="fryas">TH</span> sometimes represented <span class="fryas">HT</span>, in which case it has been transliterated as such. Likewise, <span class="fryas">X</span> was also used for <span class="fryas">SK</span>. When <span class="fryas">N</span> and <span class="fryas">G</span> appear as individual letters in the text, they are separated by an apostrophe in the Latin transliteration – e.g., FIN'GRUM; fingers. The letter used for DS/DZ (a mirrored D with a half-spoke through the center: <span class="fryas">Z</span> — e.g., in the verb <span class="fryas">SEDSA</span>: ''to say'') was transliterated as Z.</ref>

	{{Standskrift drawings}}		{{Standskrift drawings}}

Jan: note

2025-02-16T08:18:47Z

note

← Older revision		Revision as of 10:18, 16 February 2025
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	'''H. Yule and Script'''		'''H. Yule and Script'''

	'''[[045\|45.01 [045]]]''' What is recorded hereunder is written upon the walls of the Waraburg:		'''[[045\|45.01 [045]]]''' What is recorded hereunder is written upon the walls of the Waraburg:<ref>‘Waraburg’ <span class="fryas">WÁRABURCH</span> — or: Treasureburg.</ref>

	{{Wralda Tanfang Tbijin drawings}}		{{Wralda Tanfang Tbijin drawings}}

Jan at 08:11, 16 February 2025

2025-02-16T08:11:48Z

← Older revision		Revision as of 10:11, 16 February 2025
Line 6:		Line 6:
	{{Wralda Tanfang Tbijin drawings}}		{{Wralda Tanfang Tbijin drawings}}

	<center>Wralda — the Potential — the Beginning<ref>The ‘Potential’ (‘Anfang’) is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. Likewise, the ‘Beginning’ ('Bijin') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to ~~serviing~~ the community without taking religious vows, the origins of whose name remains uncertain. The word ‘temple’, which also has an uncertain etymology, may thus denote a place of meditation upon (the beginning of) time (tempus).</ref></center>		<center>Wralda — the Potential — the Beginning<ref>The ‘Potential’ (‘Anfang’) is likely what was contemplated at the German-Marsi ‘Tamfana’ temples, which were destroyed by the Romans as described by Tacitus (Annals I 50-51), rather than the name of a goddess as generally speculated. Likewise, the ‘Beginning’ ('Bijin') may be the etymological origin of the Beguines – a lay order of women in northern Europe dedicated to serving the community without taking religious vows, the origins of whose name remains uncertain. The word ‘temple’, which also has an uncertain etymology, may thus denote a place of meditation upon (the beginning of) time (tempus).</ref></center>

	Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of the Potential or the Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.		Depicted above are the signs of the Yule wheel, the primary symbol of Wralda and of the Potential or the Beginning, from which came Time, the Bearer, who must conduct the Yule in its circuit forever.

Jan: note: X was also used for SK

2025-01-17T10:02:32Z

note: X was also used for SK

← Older revision		Revision as of 12:02, 17 January 2025
Line 16:		Line 16:
	They also wanted their writing to be unreadable for other peoples, as they always have secrets. Thus, they went very much astray, so much so that children can scarcely read and understand the writings of their elders, whereas we can read our most ancient scriptures just as well as those that were written yesterday.		They also wanted their writing to be unreadable for other peoples, as they always have secrets. Thus, they went very much astray, so much so that children can scarcely read and understand the writings of their elders, whereas we can read our most ancient scriptures just as well as those that were written yesterday.

	Here is the Standscript and, under it, the Runscript. Further, the counting numbers, in both styles.<ref>Illustration based on pages '''[[046\|[046]]]''' and '''[[047\|[047]]]''' of the manuscript. The letters <span class=fryas>ÒWZ</span>, which are used in the manuscript but are not listed on page 46, have been added in the lower-right corner. The Runscript letters are a reconstruction based on the manuscript's letters, comparative study of descendants like Kurrentschrift and practical considerations. The letter <span class="fryas">TH</span> sometimes represented <span class="fryas">HT</span>, in which case it has been transliterated as such. When <span class="fryas">N</span> and <span class="fryas">G</span> appear as individual letters in the text, they are separated by an apostrophe in the Latin transliteration – e.g., FIN'GRUM; fingers. The letter used for DS/DZ (a mirrored D with a half-spoke through the center: <span class="fryas">Z</span> — e.g., in the verb <span class="fryas">SEDSA</span>: ‘to say’) was transliterated as Z.</ref>		Here is the Standscript and, under it, the Runscript. Further, the counting numbers, in both styles.<ref>Illustration based on pages '''[[046\|[046]]]''' and '''[[047\|[047]]]''' of the manuscript. The letters <span class=fryas>ÒWZ</span>, which are used in the manuscript but are not listed on page 46, have been added in the lower-right corner. The Runscript letters are a reconstruction based on the manuscript's letters, comparative study of descendants like Kurrentschrift and practical considerations. The letter <span class="fryas">TH</span> sometimes represented <span class="fryas">HT</span>, in which case it has been transliterated as such. Likewise, <span class="fryas">X</span> was also used for <span class="fryas">SK</span>. When <span class="fryas">N</span> and <span class="fryas">G</span> appear as individual letters in the text, they are separated by an apostrophe in the Latin transliteration – e.g., FIN'GRUM; fingers. The letter used for DS/DZ (a mirrored D with a half-spoke through the center: <span class="fryas">Z</span> — e.g., in the verb <span class="fryas">SEDSA</span>: ‘to say’) was transliterated as Z.</ref>

	{{Standskrift drawings}}		{{Standskrift drawings}}

Jan: /* {{Title other languages}} */

2024-11-03T08:22:34Z

← Older revision		Revision as of 10:22, 3 November 2024
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	{{Chapter Navigation\|normal=EN047.06 Before\|back=EN044.07 Thieves\|alternative=EN097.28 Teachings1\|altback=EN009.18 Frya}}		{{Chapter Navigation\|normal=EN047.06 Before\|back=EN044.07 Thieves\|alternative=EN097.28 Teachings1\|altback=EN009.18 Frya}}
	=={{Title other languages}}==		=={{Title other languages}}==
	<span><div class="emoji flag de"></div> '''[[DE045.01 Jul]]''' <div class="emoji flag es"></div> '''[[ES045.01 Yule]]''' <div class="emoji flag nl"></div> '''[[NL045.01 Joel]]''' <div class="emoji flag no"></div> '''[[NO045.01 Hjulet]]'''</span>		<span>
			:<div class="emoji flag de"></div> '''[[DE045.01 Jul]]'''
			:<div class="emoji flag es"></div> '''[[ES045.01 Yule]]'''
			:<div class="emoji flag fs"></div> '''[[FS045.01 JOL\|FS045.01 <span class="fryas">JOL</span>]]'''
			:<div class="emoji flag nl"></div> '''[[NL045.01 Joel]]'''
			:<div class="emoji flag no"></div> '''[[NO045.01 Hjulet]]'''</span>

	=={{Other EN}}==		=={{Other EN}}==